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Tokina 11-16mm f/2.8 AT-X116 Pro DX II Digital Zoom Lens (AF-S Motor) (for Nikon)

4.6 4.6 out of 5 stars 1,000 ratings

$379.00 with 34 percent savings
List Price: $570.95

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Purchase options and add-ons

Brand Kenko
Focal Length Description 11-16 millimeters
Lens Type Wide Angle
Camera Lens Description 11
Maximum Focal Length 16 Millimeters

About this item

  • USA Version. 3 Year Tokina Warranty included. Intended for sale within the USA.
  • Aperture Range: f/2.8 to f/22 Designed for Cameras with APS-C Sensors
  • Two Aspheric Lens Elements Two Super-Low Dispersion Lens Elements
  • Multi-Layer Coating 77mm Filter Thread

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Tokina ATX-i 11-16mm F2.8 Nikon A+
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Tokina 11-16mm f/2.8 AT-X116 Pro DX II Digital Zoom Lens (AF-S Motor) (for Nikon)
Tokina 11-16mm f/2.8 AT-X116 Pro DX II Digital Zoom Lens (AF-S Motor) (for Nikon)
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Price-34% $379.00
List:$570.95
$359.95$533.19$295.00$149.00$299.00
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Get it Jun 3 - 18
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Customer Ratings
For landscape photography
4.7
5.0
4.8
4.2
4.5
4.6
Picture quality
4.6
4.2
4.3
4.1
4.7
4.8
Quality of material
4.6
4.8
4.3
4.8
5.0
Auto focus
4.4
4.3
2.5
4.6
4.5
Durability
4.7
5.0
4.3
4.8
Sold By
Kellards
Amazon.com
eshopkawa
17Photo, Electronics and Outdoors
Amazon.com
Amazon.com
lens type
Wide Angle
Fisheye
Standard
Wide Angle
Wide Angle
Wide Angle
compatible mountings
Nikon F
Canon EF-S
Canon EF-S
lens design
Zoom
Prime
Zoom
Prime
Prime
Zoom
focus type
automatic only
Manual Focus
Manual Focus
Manual Focus, Auto Focus
Stepper motor
Stepper motor
minimum focal length
11 millimeters
14 millimeters
11 millimeters
14 millimeters
24 millimeters
10 millimeters
max focal length
16 millimeters
14 millimeters
16 millimeters
14 millimeters
24 millimeters
18 millimeters

Product Description

11-16mm f/2.8 AF Lens Designed for Cameras with APS-C Sensors Internal Silent Focusing AF Motor One Touch Focus Clutch Mechanism Two Aspheric Lens Elements Two Super-Low Dispersion Lens Elements Improved Multi-Coating 77mm Filter Thread

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  • Tokina 11-16mm Lens - Nikon
  • Product information

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    Product Warranty: For warranty information about this product, please click here

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    Tokina 11-16mm f/2.8 AT-X116 Pro DX II Digital Zoom Lens (AF-S Motor) (for Nikon)

    Tokina 11-16mm f/2.8 AT-X116 Pro DX II Digital Zoom Lens (AF-S Motor) (for Nikon)


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    Customer reviews

    4.6 out of 5 stars
    4.6 out of 5
    1,000 global ratings

    Customers say

    Customers like the quality, value, sharpness, and wide angle of the camera lenses. For example, they mention it's well worth the price, and the lens is very sharp from corner to corner. Some appreciate the color, and fit. Opinions are mixed on autofocus, and distortion.

    AI-generated from the text of customer reviews

    253 customers mention243 positive10 negative

    Customers are satisfied with the quality of the lens. They mention that it is made out of good material, is sturdy, and is solid. They are impressed with the picture quality, and say that it's an excellent lens for architecture, landscape, dark skies, time lapse, and groups of shots. The lens optics seem very good, and it takes great pictures. It is also a good lens for astrophotography, and the images seem sharp corner to corner with great color reproduction.

    "...Fast. Option of using f/2.8 throughout the range.- Solid. This lens feels pro grade and the Nikon feels plasticky.- Price!..." Read more

    "...Tac sharp. Feels like its made to last. Comes with quality lens cover, interface cover and hood...." Read more

    "...most qualified to rate it's image quality, but to me the images seem sharp corner to corner with great color reproduction, contrast and very little..." Read more

    "...to know if a piece of equipment is junk or not. This is not junk...." Read more

    88 customers mention88 positive0 negative

    Customers are satisfied with the value of the camera lens. They mention that it is well worth the price, and a sharp lens for the price.

    "...I found this to be the best for the money and the fastest. Its also semi-compatible with full frame DSLRs...." Read more

    "...In summary, this is a fantastic lens for the price I paid with USA warranty...." Read more

    "...No lens creep and feels very well built4) Price point - can't be beat!Cons:..." Read more

    "This lens is excellent for what you pay...." Read more

    82 customers mention69 positive13 negative

    Customers like the sharpness of the lens. They say it is very sharp, has improved sharpness, and makes for more dynamic shots. Some mention that the center sharpness is exceptional with some corner softness when shot wide open. Overall, most are satisfied with the sharp performance of this lens.

    "...Sharpness:This lens is sharp! I don't know how anyone could complain about sharpness. Even at f2.8 its sharp!..." Read more

    "...So, in summary...TOKINA 11-16 PROS:- Sharp. Sharper than the Nikon 10-24 between 11-16mm and f/4-8.- Fast...." Read more

    "...Tac sharp. Feels like its made to last. Comes with quality lens cover, interface cover and hood...." Read more

    "...Super sharp anywhere from 12mm to 16mm. Slight vignetting at 11mm, but tolerable...." Read more

    60 customers mention57 positive3 negative

    Customers are satisfied with the wide angle of the lens. They mention that it is a great lens for taking wide angle shots and that it's very practical for interior shots in apartments. They also say that it produces professional results with a crop sensor camera. They appreciate the wide 2.8 aperture and say that the lens is versatile. However, some customers feel that the wide aperture is softer with vignetting.

    "...-Sharp at both 11mm and 16mm.-Nice wide angle considering the price for a Nikon brand-Lens Flare is not that bad...." Read more

    "Best wide angle lens you can buy for the money. I bought this for a DX camera. Loved it. Upgraded to an FX camera. ALMOST sold it on craigslist...." Read more

    "...Noteable Features:- Wide Aperture- Extremely Wide Angle- Built in Autofocus Motor- Decent for Video..." Read more

    "Versatile lens, but not as good as I was expecting for astrophotography...." Read more

    36 customers mention32 positive4 negative

    Customers like the color of the lens. They say the color and detail is really incredible, and puts other lenses to shame. They also say the images look great when you want to isolate them, and it's the sharpest, most contrasty, and vibrant lens. Customers also say it takes crisp, bright landscape and architectural images, and there's no cheap fisheye effect.

    "...My photos look a lot more professional without the purple hue around the trees... P.S. Chromatic aberration is not always fully correctable in..." Read more

    "...TOKINA 11-16 NEUTRAL:- Color/Contrast. Color overall seems better delivered on the Nikon...." Read more

    "...the images seem sharp corner to corner with great color reproduction, contrast and very little of the vignetting one would expect from an ultra wide..." Read more

    "What can I say - super fast, super wide - excellent color rendition and sharpness - the tiniest barrell distortion at ultra wide - which is expected..." Read more

    35 customers mention26 positive9 negative

    Customers like the fit of the lens. They say it's very wide, excellent in tight spaces, and the lens hood fits very tight. The optics seem good and the lenses delivers crisp images with a wide view.

    "...It fits nicely. Way better than my sigma 70-300 lens cap...." Read more

    "...I use it mostly to photograph real estate and it is excellent in tight spaces that were once impossible to shoot in an elegant manner..." Read more

    "...The lens focused accurately without hesitation...." Read more

    "...This is because the lens is really big...." Read more

    75 customers mention28 positive47 negative

    Customers have mixed opinions about the autofocus of the lens. Some find it great, fast, and smooth, while others say it can be finicky and has some issues. The manual focus is easy and quick.

    "...Its not incredibly loud, but the sound is.. crappy.Focusing:Ok. Next to weight, this is probably the biggest flaw of the lens...." Read more

    "...Auto Focus works GREAT on my d5000 (told you it was the MK II!) - very quick, very snappy...." Read more

    "...Also, I find the focus motor to be on the noisy side and the manual focus ring is a bit fiddly...." Read more

    "...Price point - can't be beat!Cons:1) Short focal range compared to other options..." Read more

    34 customers mention15 positive19 negative

    Customers are mixed about the distortion of the lens. Some mention that there is very little distortion compared to the competition, while others say that there are visible distortions on some images near the edges of the images. Some say that distortions comes with the territory but can be corrected in post process. Some customers also mention that the focus points in all of them seemed slightly blurry.

    "...As with any ultra wide, there is a fair amount of distortion, which is sometimes difficult to correct...." Read more

    "...Pretty much all you need for landscapes. The distortion isn't horrible and can be corrected in Lightroom.Bokeh:..." Read more

    "...Distortions comes with the territory but can be corrected in post process. Chromatic Aberration are barely noticeable...." Read more

    "...wide - excellent color rendition and sharpness - the tiniest barrell distortion at ultra wide - which is expected and desired for some of those..." Read more

    Tokina 11-16mm f/2.8 AT-X116 Pro DXII  -  Nikon D3200
    5 Stars
    Tokina 11-16mm f/2.8 AT-X116 Pro DXII - Nikon D3200
    I am using this lens with a Nikon D3200. I shoot landscapes mostly.Firstly, if you have a DX camera (D3200, D3100, D5000, D5100, D7100, etc), this is the lens to have for wide angle. Trust me. I did a lot of research on the Sigmas, Tamrons, and others. I found this to be the best for the money and the fastest. Its also semi-compatible with full frame DSLRs. I needed a lens to replace the amazing 18-55mm Kit lens and this has passed the test for sure!Sharpness:This lens is sharp! I don't know how anyone could complain about sharpness. Even at f2.8 its sharp! I mostly shoot landscapes from F/8 - F/18.This lens is mad sharp at all apertures.Angle of View:Honestly, at first, I thought the angle of view would be even wider than it is at 11mm. But I guess I was just being irrational. 11mm is wide on this lens. Pretty much all you need for landscapes. The distortion isn't horrible and can be corrected in Lightroom.Bokeh:Bokeh isn't all that flawless on this lens. I'm talking at f2.8... It seems sorta all over the place. But it's not distracting or anything.Chromatic Aberration:One issue with shooting landscapes on my kit lens was that my shots often have trees in the white sky, this causes chromatic abberation from the contrast in dark trees against the bright sky. This lens seems to have none of that at tighter apertures. My photos look a lot more professional without the purple hue around the trees... P.S. Chromatic aberration is not always fully correctable in post.Focus Ring:Not digging the focus ring too much. When shooting landscapes, I autofocus on my focal point and then I set the lens to manual focus to shoot. Well, when pulling back on the focus ring to enter manual, I feel like it would be easy to accidentally put your camera out of focus.Focusing Motor:The DXII (this model) has an internal focus motor. Make note of that if you do not have a D7000+... The focus motor is slow, as expected from a third party lens. The sound it makes when focusing is poor. Its not incredibly loud, but the sound is.. crappy.Focusing:Ok. Next to weight, this is probably the biggest flaw of the lens. I shoot a lot of sunscape photos in low light conditions. this lens has a hard time finding focus in low light. Much harder than other lenses I have. And it will certainly aggravate you. It's not a deal breaker but I find that this is one of the worst issues with the lens.Lens Cap:I have had this camera for 2 days already and I want to burn the lens cap in a fire... Its not the fit though. It fits nicely. Way better than my sigma 70-300 lens cap. The problem is that the cap has little to no depth for your fingers on the squeeze buttons, so the cap likes to shoot out of your hand like a rocket when placing it on the lens.Weight:This has to be the worst quality of this lens. It is heavy! Its comparable to my Sigma 70-300mm telephoto. I'm not sure why a wideangle has to be so heavy but it is. I can live with it!Filters:So far, I have stacked 2 Altura 77mm ND filters on this lens and have absolutely no vingetting. I think ill try for 3 filters ;)Overall, couldn't be happier with my purchase. Its clear that Tokina cut corners on the mechanics a bit to compensate for the great optics. Thats expected with a lens of this make. BUY IT.
    Thank you for your feedback
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    Top reviews from the United States

    Reviewed in the United States on December 27, 2015
    I am using this lens with a Nikon D3200. I shoot landscapes mostly.

    Firstly, if you have a DX camera (D3200, D3100, D5000, D5100, D7100, etc), this is the lens to have for wide angle. Trust me. I did a lot of research on the Sigmas, Tamrons, and others. I found this to be the best for the money and the fastest. Its also semi-compatible with full frame DSLRs. I needed a lens to replace the amazing 18-55mm Kit lens and this has passed the test for sure!

    Sharpness:
    This lens is sharp! I don't know how anyone could complain about sharpness. Even at f2.8 its sharp! I mostly shoot landscapes from F/8 - F/18.
    This lens is mad sharp at all apertures.

    Angle of View:
    Honestly, at first, I thought the angle of view would be even wider than it is at 11mm. But I guess I was just being irrational. 11mm is wide on this lens. Pretty much all you need for landscapes. The distortion isn't horrible and can be corrected in Lightroom.

    Bokeh:
    Bokeh isn't all that flawless on this lens. I'm talking at f2.8... It seems sorta all over the place. But it's not distracting or anything.

    Chromatic Aberration:
    One issue with shooting landscapes on my kit lens was that my shots often have trees in the white sky, this causes chromatic abberation from the contrast in dark trees against the bright sky. This lens seems to have none of that at tighter apertures. My photos look a lot more professional without the purple hue around the trees... P.S. Chromatic aberration is not always fully correctable in post.

    Focus Ring:
    Not digging the focus ring too much. When shooting landscapes, I autofocus on my focal point and then I set the lens to manual focus to shoot. Well, when pulling back on the focus ring to enter manual, I feel like it would be easy to accidentally put your camera out of focus.

    Focusing Motor:
    The DXII (this model) has an internal focus motor. Make note of that if you do not have a D7000+... The focus motor is slow, as expected from a third party lens. The sound it makes when focusing is poor. Its not incredibly loud, but the sound is.. crappy.

    Focusing:
    Ok. Next to weight, this is probably the biggest flaw of the lens. I shoot a lot of sunscape photos in low light conditions. this lens has a hard time finding focus in low light. Much harder than other lenses I have. And it will certainly aggravate you. It's not a deal breaker but I find that this is one of the worst issues with the lens.

    Lens Cap:
    I have had this camera for 2 days already and I want to burn the lens cap in a fire... Its not the fit though. It fits nicely. Way better than my sigma 70-300 lens cap. The problem is that the cap has little to no depth for your fingers on the squeeze buttons, so the cap likes to shoot out of your hand like a rocket when placing it on the lens.

    Weight:
    This has to be the worst quality of this lens. It is heavy! Its comparable to my Sigma 70-300mm telephoto. I'm not sure why a wideangle has to be so heavy but it is. I can live with it!

    Filters:
    So far, I have stacked 2 Altura 77mm ND filters on this lens and have absolutely no vingetting. I think ill try for 3 filters ;)

    Overall, couldn't be happier with my purchase. Its clear that Tokina cut corners on the mechanics a bit to compensate for the great optics. Thats expected with a lens of this make. BUY IT.
    Customer image
    5.0 out of 5 stars Tokina 11-16mm f/2.8 AT-X116 Pro DXII - Nikon D3200
    Reviewed in the United States on December 27, 2015
    I am using this lens with a Nikon D3200. I shoot landscapes mostly.

    Firstly, if you have a DX camera (D3200, D3100, D5000, D5100, D7100, etc), this is the lens to have for wide angle. Trust me. I did a lot of research on the Sigmas, Tamrons, and others. I found this to be the best for the money and the fastest. Its also semi-compatible with full frame DSLRs. I needed a lens to replace the amazing 18-55mm Kit lens and this has passed the test for sure!

    Sharpness:
    This lens is sharp! I don't know how anyone could complain about sharpness. Even at f2.8 its sharp! I mostly shoot landscapes from F/8 - F/18.
    This lens is mad sharp at all apertures.

    Angle of View:
    Honestly, at first, I thought the angle of view would be even wider than it is at 11mm. But I guess I was just being irrational. 11mm is wide on this lens. Pretty much all you need for landscapes. The distortion isn't horrible and can be corrected in Lightroom.

    Bokeh:
    Bokeh isn't all that flawless on this lens. I'm talking at f2.8... It seems sorta all over the place. But it's not distracting or anything.

    Chromatic Aberration:
    One issue with shooting landscapes on my kit lens was that my shots often have trees in the white sky, this causes chromatic abberation from the contrast in dark trees against the bright sky. This lens seems to have none of that at tighter apertures. My photos look a lot more professional without the purple hue around the trees... P.S. Chromatic aberration is not always fully correctable in post.

    Focus Ring:
    Not digging the focus ring too much. When shooting landscapes, I autofocus on my focal point and then I set the lens to manual focus to shoot. Well, when pulling back on the focus ring to enter manual, I feel like it would be easy to accidentally put your camera out of focus.

    Focusing Motor:
    The DXII (this model) has an internal focus motor. Make note of that if you do not have a D7000+... The focus motor is slow, as expected from a third party lens. The sound it makes when focusing is poor. Its not incredibly loud, but the sound is.. crappy.

    Focusing:
    Ok. Next to weight, this is probably the biggest flaw of the lens. I shoot a lot of sunscape photos in low light conditions. this lens has a hard time finding focus in low light. Much harder than other lenses I have. And it will certainly aggravate you. It's not a deal breaker but I find that this is one of the worst issues with the lens.

    Lens Cap:
    I have had this camera for 2 days already and I want to burn the lens cap in a fire... Its not the fit though. It fits nicely. Way better than my sigma 70-300 lens cap. The problem is that the cap has little to no depth for your fingers on the squeeze buttons, so the cap likes to shoot out of your hand like a rocket when placing it on the lens.

    Weight:
    This has to be the worst quality of this lens. It is heavy! Its comparable to my Sigma 70-300mm telephoto. I'm not sure why a wideangle has to be so heavy but it is. I can live with it!

    Filters:
    So far, I have stacked 2 Altura 77mm ND filters on this lens and have absolutely no vingetting. I think ill try for 3 filters ;)

    Overall, couldn't be happier with my purchase. Its clear that Tokina cut corners on the mechanics a bit to compensate for the great optics. Thats expected with a lens of this make. BUY IT.
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    Reviewed in the United States on March 20, 2013
    I first used a DX wide angle years ago at my old job - the Nikon 12-24 f/4. Loved that lens, even at 12mm f/4.

    So last summer when I was shopping for a DX WA of my own, the Nikon 10-24 3.5-4.5 seemed like a no brainer. I figured I would use it mostly wide open at 10mm, so the slightly larger aperture and wider end seemed like a step up. However, after using it for a while I was never really happy with the sharpness of the images my copy delivered. It was good but not great (I use WA's to feature a subject prominently in the frame, not for landscapes, so I like to shoot close to wide open if possible.)

    I didn't have access to the Nikon 12-24 f/4 anymore to compare to, but after discovering the Tokina 11-16 f/2.8, I decided to look into the Tokina 11-16 as a possible replacement.

    After almost a year and a lot of research, I decided to go for a Tokina 11-16. Since I still had the 10-24, I did tripod comparisons with a remote shutter, comparing the lenses at 11mm f/3.5, 11mm f/5.6, 11mm f/8, 16mm f/4, 16mm f/5.6, 16mm f/8 from exactly the same position, without moving the tripod.

    In every shot comparison the Tokina images at 100% were obviously sharper than the Nikon images - just as I suspected, and as my research suggested. Wonderful! Now, I may have received a great copy of the Tokina, and had a not-so-great copy of the Nikon. But in my real-world tests using the Nikon previously, I never thought the sharpness was "bad" - just not amazing. And I always wondered if starting at f/2.8 meant a sharper f/8 when I got there. The answer for me is: it does. This Tokina's sharpness is great! As a bonus, I get f/2.8 throughout the limited range if I need it.

    So, in summary...

    TOKINA 11-16 PROS:

    - Sharp. Sharper than the Nikon 10-24 between 11-16mm and f/4-8.
    - Fast. Option of using f/2.8 throughout the range.
    - Solid. This lens feels pro grade and the Nikon feels plasticky.
    - Price! Remarkably, this lens is currently $200 less expensive brand new then the Nikon 10-24 is, brand new.

    TOKINA 11-16 CONS:

    - Range. Less range than the 10-24. Sometimes being able to go to 24mm was handy and meant I wouldn't need to swap lenses.

    TOKINA 11-16 NEUTRAL:

    - Color/Contrast. Color overall seems better delivered on the Nikon. Although to be fair, I didn't test for this (i.e. used AWB in all shots.) Contrast seems to be about the same as the Nikon.

    As a final note, I was concerned that the Auto Distortion Control menu option on my Nikon DSLR would be greyed out with the Tokina 11-16 as it is with my old discontinued Tokina 50-135. But the answer is, it is not! The camera recognizes the lens for Auto Distortion Control. Meaning I can get straight lines SOOC just like I did with the Nikon lens. Very convenient if you're like me and try to get as much right as possible in the camera to avoid post processing.
    146 people found this helpful
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    Jorge
    5.0 out of 5 stars Nitidez, rapidez de enfoque, profundidad de color.
    Reviewed in Spain on June 17, 2020
    Luego de usarlo durante 18 meses en TODAS las condiciones posibles, hago esta reseña. Objetivo usado en montura F de Nikon, APS-C. Construcción. Objetivo robusto, con calidades altas que funciona perfectamente con el cuerpo de la cámara. No es sellado, por el segmento al que va dirigido. Entusiastas. Enfoque. preciso, rápido y silencioso. Distancia mínima de enfoque 30cm. Comportamiento. Aberraciones cromáticas. Escasas, todas corregibles. Flares suelen ser mas frecuentes que las ACs en momentos de alto contraste o cuando enfocas al sol de frente. El parasol de pétalos ayuda un poco. Nocturnas. Su amplia apertura lo hace ideal para quien guste de esta disciplina. En la mayoría de los casos (nocturnas me refiero) ira mejor con una APS-C de gama media/alta por la gestión del ruido. Si trabajas con apilamiento de las imágenes con exposiciones cortas no habrá problema con el ruido. Paisaje. Supremo. Una delicia en la fidelidad del color y la nitidez salvo en las esquinas donde apreciaras la deformación en barril a 11-14mm. Viñeteo leve, tambien corregible. Calidad precio: normal, aunque realmente vale más de lo que cuesta. Objetivo durable, de calidad, que recomiendo para usuarios de Nikon interesados en Paisaje, arquitectura, inmobiliaria o fotografía nocturna. Dentro de su rango es superior. Calidad de un Prime. (fijo)
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    Jorge
    5.0 out of 5 stars Nitidez, rapidez de enfoque, profundidad de color.
    Reviewed in Spain on June 17, 2020
    Luego de usarlo durante 18 meses en TODAS las condiciones posibles, hago esta reseña. Objetivo usado en montura F de Nikon, APS-C. Construcción. Objetivo robusto, con calidades altas que funciona perfectamente con el cuerpo de la cámara. No es sellado, por el segmento al que va dirigido. Entusiastas. Enfoque. preciso, rápido y silencioso. Distancia mínima de enfoque 30cm. Comportamiento. Aberraciones cromáticas. Escasas, todas corregibles. Flares suelen ser mas frecuentes que las ACs en momentos de alto contraste o cuando enfocas al sol de frente. El parasol de pétalos ayuda un poco. Nocturnas. Su amplia apertura lo hace ideal para quien guste de esta disciplina. En la mayoría de los casos (nocturnas me refiero) ira mejor con una APS-C de gama media/alta por la gestión del ruido. Si trabajas con apilamiento de las imágenes con exposiciones cortas no habrá problema con el ruido. Paisaje. Supremo. Una delicia en la fidelidad del color y la nitidez salvo en las esquinas donde apreciaras la deformación en barril a 11-14mm. Viñeteo leve, tambien corregible. Calidad precio: normal, aunque realmente vale más de lo que cuesta. Objetivo durable, de calidad, que recomiendo para usuarios de Nikon interesados en Paisaje, arquitectura, inmobiliaria o fotografía nocturna. Dentro de su rango es superior. Calidad de un Prime. (fijo)
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    nyfer
    5.0 out of 5 stars Best Fast Ultra Wide Angle Lens for APC sensor
    Reviewed in India on August 19, 2017
    I have been using this lens for the past 5 months and i must say its really really good lens.
    If you really miss the wide angle and love to do landscapes astro and timelapses photography then this is the lens .

    Pros.
    1. Constant wide aperture of 2.8 ranging from 11-16mm focal.
    2. Best budget lens to capture landscape as well as astrophotography.
    3. Build quality is good with proper markings for focus distance.
    4. Amazing lens to create timelapses

    Attaching milkyway i captured at home.
    You guys can checkout some more on my IG as ny.fer

    Update : this lens works like a charm on nikon z 6 via the FTZ adaptor
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    nyfer
    5.0 out of 5 stars Best Fast Ultra Wide Angle Lens for APC sensor
    Reviewed in India on August 19, 2017
    I have been using this lens for the past 5 months and i must say its really really good lens.
    If you really miss the wide angle and love to do landscapes astro and timelapses photography then this is the lens .

    Pros.
    1. Constant wide aperture of 2.8 ranging from 11-16mm focal.
    2. Best budget lens to capture landscape as well as astrophotography.
    3. Build quality is good with proper markings for focus distance.
    4. Amazing lens to create timelapses

    Attaching milkyway i captured at home.
    You guys can checkout some more on my IG as ny.fer

    Update : this lens works like a charm on nikon z 6 via the FTZ adaptor
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    Jamison Dowsett
    5.0 out of 5 stars Five Stars
    Reviewed in Canada on January 19, 2017
    Great lens, I use it mostly for astrophotography and landscape. Good price for a versatile and sharp lens.
    公開プロフィール名
    5.0 out of 5 stars 大変満足
    Reviewed in Japan on April 19, 2021
    キットレンズの広角側18mmでは画角が足りない&開放F値が大きいため購入しました。結果からいうと「大変満足」です。

    まずは何より「画角」。自分の見ている景色がまるごと画角に収まるのは感動モノです。
    そして「F値」。薄暗い室内で手ブレしない程度までシャッタースピードを上げられるのが便利ですし、何より夜景や星景写真が綺麗に撮れます。
    このレンズがこの価格だと考えるとかなりお買い得だと思いました。

    一応短所を挙げるとすれば、AFがうるさくて遅いことでしょうか。動画を撮りたり方などは、気を付けたほうがいいかもです。まあ景色を撮るのに爆速AFは必要ないですし、星を撮るときはMFですから、私にとっては短所ではないんですけど。

    あとatx-i 11-16mm F2.8 CFと比べるとレンズのデザインがちょっと古臭いですかね?私のようなド素人には光学性能での不満点は感じられませんでした。

    写真はド素人が撮ったものなので、参考程度にどうぞ。画角は11mmです。
    Customer image
    公開プロフィール名
    5.0 out of 5 stars 大変満足
    Reviewed in Japan on April 19, 2021
    キットレンズの広角側18mmでは画角が足りない&開放F値が大きいため購入しました。結果からいうと「大変満足」です。

    まずは何より「画角」。自分の見ている景色がまるごと画角に収まるのは感動モノです。
    そして「F値」。薄暗い室内で手ブレしない程度までシャッタースピードを上げられるのが便利ですし、何より夜景や星景写真が綺麗に撮れます。
    このレンズがこの価格だと考えるとかなりお買い得だと思いました。

    一応短所を挙げるとすれば、AFがうるさくて遅いことでしょうか。動画を撮りたり方などは、気を付けたほうがいいかもです。まあ景色を撮るのに爆速AFは必要ないですし、星を撮るときはMFですから、私にとっては短所ではないんですけど。

    あとatx-i 11-16mm F2.8 CFと比べるとレンズのデザインがちょっと古臭いですかね?私のようなド素人には光学性能での不満点は感じられませんでした。

    写真はド素人が撮ったものなので、参考程度にどうぞ。画角は11mmです。
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    Thomas
    5.0 out of 5 stars Tolles UWW Objektiv
    Reviewed in Germany on February 9, 2016
    Bin sehr zufrieden, AF ist für mich schnell genug. Bei mir auch supergenau & knackscharf, kissenförmige Verzerrungen sind im Rahmen (für diese Brennweite eigentlich sogar sehr gut). CAs hab ich bei meinem Exemplar wenig, aber schon manchesmal sichtbar, lässt sich aber in der Nachbearbeitung einfach entfernen.
    Was man wissen sollte: Filter zum Objektivschutz (UV) gehen zwar drauf, aber sogar bei Slim Modellen in den Ecken ganz leicht sichtbar.
    5 people found this helpful
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