Buy used: $499.95
FREE delivery May 17 - 21. Details
Used: Very Good | Details
Condition: Used: Very Good
Add an Accessory:
$4.49
Added to Cart
$5.50
Added to Cart

Nikon AF-S DX NIKKOR 17-55mm f/2.8G IF-ED Zoom Lens with Auto Focus for Nikon DSLR Cameras

4.3 4.3 out of 5 stars 283 ratings

$499.95
Only 1 left in stock - order soon.
Black
Brand Nikon
Focal Length Description 17-55 millimeters
Lens Type Standard
Compatible Mountings Nikon F (DX)
Camera Lens Description 17

About this item

  • Constant f2.8 3.2x zoom lens developed exclusively for use with Nikon DX Format, optimized for Nikon digital SLRs
  • Dust and waterproof rubber sealing mount. Focal length : 17-55mm. Maximum Reproduction Ratio : 0.20x
  • High optical performance by aspherical lenses and ED glass elements
  • Silent Wave Motor enables ultra-high-speed autofocusing with exceptional accuracy and powerful super-quiet operation
  • M/A mode for quick switching between autofocus and manual operation

This product is available as Renewed.

Nikon AF-S DX NIKKOR 17-55mm f/2.8G IF-ED Zoom Lens with Auto Focus for Nikon DSLR Cameras (Renewed) $750.00 & FREE Shipping. Details
(5)
Works and looks like new and backed by the Amazon Renewed Guarantee
Add a debit or credit card to save time when you check out
Convenient and secure with 2 clicks. Add your card

Consider a similar item

Important information

Legal Disclaimer

FULL 14 DAY SATISFACTION GUARANTEE AND A 90 DAY PARTS AND LABOR WARRANTY. SERIAL #224713. USA MODEL.

Compare with similar items

This Item
Nikon AF-S DX NIKKOR 17-55mm f/2.8G IF-ED Zoom Lens with Auto Focus for Nikon DSLR Cameras
Nikon AF-S DX NIKKOR 17-55mm f/2.8G IF-ED Zoom Lens with Auto Focus for Nikon DSLR Cameras
Recommendations
Nikon AF-S DX NIKKOR 18-55mm f/3.5-5.6G ED II Zoom Lens with Auto Focus for Nikon DSLR Cameras (Renewed)
dummy
Nikon AF-S FX NIKKOR 20mm f/1.8G ED Fixed Lens with Auto Focus for Nikon DSLR Cameras (Renewed)
dummy
Nikon AF-S FX NIKKOR 50mm f/1.8G Lens with Auto Focus for Nikon DSLR Cameras
dummy
Nikon AF-S FX NIKKOR 24-70mm f/2.8E ED Vibration Reduction Zoom Lens with Auto Focus for Nikon DSLR Cameras
dummy
Nikon AF-S DX NIKKOR 35mm f/1.8G Lens with Auto Focus for Nikon DSLR Cameras, 2183, Black
Details
Added to Cart
Details
Added to Cart
Details
Added to Cart
Details
Added to Cart
Details
Added to Cart
Details
Added to Cart
Price$499.95$199.00-25% $599.00
New Price:$796.95
-10% $196.95
List:$219.95
-24% $1,596.95
List:$2,096.95
-12% $176.95
List:$199.95
Delivery
Get it May 17 - 21
Get it as soon as Monday, May 13
Get it as soon as Friday, May 17
Get it as soon as Friday, May 17
Customer Ratings
Picture quality
4.5
4.7
4.8
4.7
Auto focus
4.4
4.6
4.7
4.5
Quality of material
4.4
4.7
4.7
Sold By
Willoughby's Established 1898
Port Hole Renewed
Minty Gadgets (we track serial numbers)
Amazon.com
Amazon.com
Amazon.com
lens type
Standard
Standard
Standard
Standard
Standard
Standard
compatible mountings
Nikon F (DX)
Nikon F (DX)
Nikon F (DX)
Nikon F (FX)
Nikon F
Nikon F (DX)
lens design
Zoom
Zoom
Prime
Prime
Zoom
Prime
focus type
Ultrasonic
Micro-type ultrasonic
Auto Focus
Ultrasonic
Auto/Manual
Ring-type ultrasonic
minimum focal length
17 millimeters
18 millimeters
20 millimeters
50 millimeters
24 millimeters
35 millimeters
max focal length
55 millimeters
55 millimeters
20 millimeters
50 millimeters
70 millimeters
35 millimeters
fixed focal length
55 millimeters
55 millimeters
20 millimeters
50 millimeters
70 millimeters
35 millimeters
real angle of view
79 degrees
0 arc minute
0 degrees
44 degrees

Looking for specific info?

Product information

Warranty & Support

Product Warranty: For warranty information about this product, please click here

Feedback

Nikon AF-S DX NIKKOR 17-55mm f/2.8G IF-ED Zoom Lens with Auto Focus for Nikon DSLR Cameras

Nikon AF-S DX NIKKOR 17-55mm f/2.8G IF-ED Zoom Lens with Auto Focus for Nikon DSLR Cameras


Found a lower price? Let us know. Although we can't match every price reported, we'll use your feedback to ensure that our prices remain competitive.

Where did you see a lower price?

Fields with an asterisk * are required

/
/
/
/
Please sign in to provide feedback.

What's in the box

  • AF-S DX NIKKOR 17-55mm f/2.8G IF-ED Zoom Lens for Nikon DSLR Cameras
  • HB-31 Bayonet Lens Hood
  • CL-1120 Soft Case
  • LC-77 Front Lens Cap
  • LF-4 Rear Lens Cap
  • Product guides and documents

    Product Description

    Product Description

    L1)NIKON 17-55MM F2.8G IF-ED (2147) From the Manufacturer: Lens-making is an art--Nikon artisans craft Nikkor optics from the finest materials, taking pride in adding their intellect and technique to bring the world's finest lenses to life. They push the leading edge of lens-making in their effort to provide the "glass" that makes the world's greatest pictures. The Nikon 17-55mm f2.8G ED-IF AF-S DX is the world's first constant f2.8 3.2x zoom lens developed exclusively for use with Nikon DX Format. The 3.2x zoom covers from a wide angle of 79 degrees to a narrow angle of 28 degrees 50 minutes (equivalent to 25.5mm to 85.5mm for 35mm format) and is ideal for architecture, landscape, groups shots and portraits.

    From the Manufacturer


    Lens-making is an art--Nikon artisans craft Nikkor optics from the finest materials, taking pride in adding their intellect and technique to bring the world's finest lenses to life. They push the leading edge of lens-making in their effort to provide the "glass" that makes the world's greatest pictures.

    The Nikon 17-55mm f2.8G ED-IF AF-S DX is the world's first constant f2.8 3.2x zoom lens developed exclusively for use with Nikon DX Format. The 3.2x zoom covers from a wide angle of 79 degrees to a narrow angle of 28 degrees 50 minutes (equivalent to 25.5mm to 85.5mm for 35mm format) and is ideal for architecture, landscape, groups shots and portraits. DX design enables a combination of wider angle-of-view with optical characteristics that are optimized for Nikon digital SLR camera sensors. Nikon DX design produces a smaller image circle (the size of the image that is projected by the lens on to the sensor) enabling smaller lens diameter, lighter weight, and optimal image quality from center-to edge-to-corner on the image.

    Three Extra-Low Dispersion (ED) glass elements minimize chromatic aberration and provide higher resolution and superior contrast. Three aspherical lens elements minimize distortion in a lightweight and compact design similar to 17-35mm f2.8 lens. The exclusive Silent Wave Motor enables ultra-high-speed autofocusing with exceptional accuracy and powerful super-quiet operation. [M/A] and [M] modes allow rapid switching between AF and MF operation. Internal Focusing design for smoother focusing and great body balance. Nikon D-type design provides precise distance information for flash and ambient light exposure processes. The rounded diaphragm makes out-of-focus elements appear more natural. The G Type DX Nikkor is designed exclusively for use with Nikon Digital SLR models.

    ED glass: An essential element of Nikkor telephoto lenses
    Nikon developed ED (Extra-low Dispersion) glass to enable the production of lenses that offer superior sharpness and color correction by minimizing chromatic aberration. Put simply, chromatic aberration is a type of image and color dispersion that occurs when light rays of varying wavelengths pass through optical glass. In the past, correcting this problem for telephoto lenses required special optical elements that offer anomalous dispersion characteristics--specifically calcium fluoride crystals. However, fluorite easily cracks and is sensitive to temperature changes that can adversely affect focusing by altering the lens' refractive index. So Nikon designers and engineers put their heads together and came up with ED glass, which offers all the benefits and none of the drawbacks of calcium fluorite-based glass. With this innovation, Nikon developed several types of ED glass suitable for various lenses. They deliver stunning sharpness and contrast even at their largest apertures. In this way, Nikkor's ED-series lenses exemplify Nikon's preeminence in lens innovation and performance.

    Nikon Super Integrated Coating ensures exceptional performance
    To enhance the performance of its optical lens elements, Nikon employs an exclusive multilayer lens coating that helps reduce ghost and flare to a negligible level. Nikon Super Integrated Coating achieves a number of objectives, including minimized reflection in the wider wavelength range and superior color balance and reproduction. Nikon Super Integrated Coating is especially effective for lenses with a large number of elements, like our Zoom-Nikkors. Also, Nikon's multilayer coating process is tailored to the design of each particular lens. The number of coatings applied to each lens element is carefully calculated to match the lens type and glass used, and also to assure the uniform color balance that characterizes Nikkor lenses. This results in lenses that meet much higher standards than the rest of the industry.

    Aspherical lens elements
    Nikon introduced the first photographic lens with aspherical lens elements in 1968. What sets them apart? Aspherical lenses virtually eliminate the problem of coma and other types of lens aberration--even when used at the widest aperture. They are particularly useful in correcting the distortion in wide-angle lenses. In addition, use of aspherical lenses contributes to a lighter and smaller lens design. Nikon employs three types of aspherical lens elements. Precision-ground aspherical lens elements are the finest expression of lens-crafting art, demanding extremely rigorous production standards. Hybrid lenses are made of a special plastic molded onto optical glass. Molded glass aspherical lenses are manufactured by molding a unique type of optical glass using a special metal die technique.

    Internal Focusing
    Imagine being able to focus a lens without it changing in size. Nikon's IF technology enables just that. All internal optical movement is limited to the interior of the non-extending lens barrel. This allows for a more compact, lightweight construction as well as a closer focusing distance. In addition, a smaller and lighter focusing lens group is employed to ensure faster focusing. The IF system is featured in most Nikkor telephoto and selected Nikkor zoom lenses.

    Distance information
    D-type and G-type Nikkors relay subject-to-camera distance information to AF Nikon camera bodies. This then makes possible advances like 3D Matrix Metering and 3D Multi-Sensor Balanced Fill-Flash. Note: D-type and G-type Nikkors provide distance information to the following cameras: Auto exposure; F6, F5, F100, F90X, F80, F75, F70, F65, F60, F55, F50, Pronea S, Pronea 600i, D2 series, D1 series, D100 and D70s/D70. Flash control; F6, F5, F100, F90X, F80, F75, F70, D2 series, D1 series, D100 and D70s/D70.

    G-type Nikkor lens
    The G-type Nikkor has no aperture ring; aperture should be selected from camera body.

    Silent Wave Motor
    Nikon's AF-S technology is yet another reason professional photographers like Nikkor telephoto lenses. AF-S Nikkors feature Nikon's SWM which converts "traveling waves" into rotational energy to focus the optics. This enables high-speed autofocusing that's extremely accurate and super quiet.

    M/A mode
    AF-S Nikkors feature Nikon's exclusive M/A mode, that allows switching from autofocus to manual operation with virtually no time lag--even during AF servo operation and regardless of AF mode in use.

    DX Nikkor
    Compact and lightweight DX Nikkor lenses featuring a smaller image circle are specially designed and optimized for Nikon D2-series, D1-series, D100, and D70s/D70 digital SLR cameras. These are ideal options for landscape photographers and others who need to shoot expansive scenes with Nikon DX-Format digital SLRs. Note: We do not recommend use of DX Nikkor with 35mm (135) or IX240 format cameras.

    What's in the Box:
    Lens, 77mm snap-on front lens cap LC-77, rear lens cap LF-1, flexible lens pouch CL-1120, bayonet hood HB-31.

    Customer reviews

    4.3 out of 5 stars
    4.3 out of 5
    283 global ratings

    Customers say

    Customers like the quality, versatility, value, and performance of the lens. For example, they say it's a brilliant piece of glass, great for wide angle shots, and worth the investment. They appreciate the fast AF and silent Wave Motor. However, some complain about the weight and size.

    AI-generated from the text of customer reviews

    91 customers mention84 positive7 negative

    Customers are satisfied with the quality of the lens. They mention it's a brilliant piece of glass, produces beautiful creamy blurred backgrounds, and is the best lens available for the job. Customers also appreciate the elegant design, simple operation, and good figures at the end of the zoom. Overall, customers are happy with the lens' performance and recommend it to others.

    "...SHARP WIDE OPEN - Using an aperture of f/2.8, this lens is very usable. Another advantage is that is focuses more accurately in low light...." Read more

    "...Make no mistake about it, this is a pro-grade lens and you will probably get the most out of it on Nikon's only "pro grade" DX camera, the D7000...." Read more

    "...is good, especially ay the wide end of the zoom where it kicks in with very good figures...." Read more

    "...The performance of the lens is incredible. The images are very sharp and beautiful. The images are shown with just cropping...." Read more

    34 customers mention31 positive3 negative

    Customers find the sharpness of the lens to be very good. They say it produces sharp, clear pictures throughout the zoom range. Some customers also mention that the lens is usable at an aperture of f/2.8.

    "...SHARP WIDE OPEN - Using an aperture of f/2.8, this lens is very usable. Another advantage is that is focuses more accurately in low light...." Read more

    "...computer screen, the images produced from the Nikkor appears to be very sharper even at the largest aperture of f2.8, and I just love the contrasty,..." Read more

    "...Much to my relief, the images all turned out superbly and were very sharp, had excellent contrast and color saturation even wide open..." Read more

    "...Wide open is no problem. The few weak points are minor and (for me) don't come into play very often...." Read more

    22 customers mention17 positive5 negative

    Customers like the image quality of the camera lens. For example, they mention the autofocus is fast, the images are crisp, and the color rendition is accurate. The resolution is good, and it's great for reproducing photos. Some are also impressed with the sharpness and clarity of the lens, saying it doesn't need any USM sharpening.

    "Resolution is good, especially ay the wide end of the zoom where it kicks in with very good figures...." Read more

    "...The images are very sharp and beautiful. The images are shown with just cropping. I will definably use it more." Read more

    "...Even at this wide open setting... I was amazed how much detail it captures...." Read more

    "...and like another reviewer here stated, you realize the image doesn't need any USM (sharpening)...." Read more

    21 customers mention21 positive0 negative

    Customers are satisfied with the performance of the lens. For example, they mention that the autofocus is fast, the Silent Wave Motor is not only fast, but extremely quiet, and the performance is incredible. They also say that the images are very sharp and beautiful, and that they are spending less time touching up pictures.

    "...FAST FOCUS - The Silent Wave Motor is not only fast, but extremely quiet...." Read more

    "...It's body is made out of metal and its constant f/2.8 means great performance across its range of focal lengths even in dim lighting...." Read more

    "...The performance of the lens is incredible. The images are very sharp and beautiful. The images are shown with just cropping...." Read more

    "...was also absolutely delighted in the lens regarding how quick the focus was in the low light..." Read more

    17 customers mention13 positive4 negative

    Customers like the value of the camera lenses. They say it's a good value for the money, and worth the investment.

    "...the focal ranges it covers as well as its quality, the price is justifiable.The Bad:-------------------It's freakin heavy!..." Read more

    "...I am very happy to get it with very reasonable price. The performance of the lens is incredible. The images are very sharp and beautiful...." Read more

    "...I would call it excellent. Still a good value for the money. But if it's not like new don't call it that." Read more

    "...If you can afford it, don't worry about the cost. IMHO it is worth every penny. Best lens I own...." Read more

    10 customers mention10 positive0 negative

    Customers find the lens versatile, and say it's one of the best wide angle lenses for Nikon cameras. They say it is a good all-around lens to carry, and an excellent choice for avid photographers. Customers also mention that the wide angle opens up each scene and allows expressions and life.

    "This is an excellent and versatile lens...." Read more

    "...Versatile, fast, and good for most situations, from landscape to portrait." Read more

    "...Just do your research.The wide angle opens up each scene and allows expressions and life to be captured just how it happens. Nikon scores again." Read more

    "...Fast shipping and this is one of the best wide angle lenses you can use on a Nikon camera!" Read more

    13 customers mention7 positive6 negative

    Customers are mixed about the size of the lens. Some mention it's great but big, while others say it'll render a DX camera into a compact. The size and weight of the product are also annoyingly small at first. Some say it may be a bit heavy and large for travel, but for events, weddings, and other purposes.

    "...I find the size and weight actually helpful and helps balance and control on the majority of camera bodies...." Read more

    "...The lens is big... and it is a bit heavy... but everything about it says quality to me...." Read more

    "...Although this is not a super zoom, this lens is quite heavy, and it balances quite well with a bigger camera such as a D300S. IMO, the only real..." Read more

    "I really was hoping that this lens was just average. It is so big and heavy that it renders a dx camera into a similar profile as an fx model...." Read more

    15 customers mention0 positive15 negative

    Customers find the weight of the lens to be a bit heavy and bulky for travel. They also say it's not worth the weight and premium over the cost of their D7000.

    "...SIZE/WEIGHT/BALANCE - Some people mention this lens is too bulky and heavy...." Read more

    "...The Bad:-------------------It's freakin heavy!..." Read more

    "...The lens is big... and it is a bit heavy... but everything about it says quality to me...." Read more

    "...general notes yes this is heavy and yes you need to use external flash to avoid dark shadow at bottom of pictures (Pics I will post later)..." Read more

    Heavyweight lens
    5 Stars
    Heavyweight lens
    I bought this lens about a week after I bought a Tamron 17-50mm f2.8 VC in a local store.I bought the Tamron because it was significantly cheaper, and as an advanced hobbyist who doesn't make one cent from photography, I thought I could live with a substitute.Fortunately, my doubt gets the better of me, and I decided to give the Nikkor a shot. From the much larger computer screen, the images produced from the Nikkor appears to be very sharper even at the largest aperture of f2.8, and I just love the contrasty, and rich colour tone produced by this lens. This lens is fantastic for indoor shoots due to the larger aperture and also the "zoomabilty". The 17mm focal points allows you to shoot in a tight space, and the 55mm allows you to zoom in for a facial/closer shot. I like museum, indoor exhibition and this lens is just perfect for me.You may have heard people insisted Tamron is just as good. Well, ask them whether they own or tested both and, if not, how qualified are they to make that statement? As good as Tamron is, and being a affordable Nikkor substitute, IMO it's still not on par with a Nikkor: not the IQ (even though they are very close), not the build quality, not the weather sealed, and certainly not the resale value after a few years. Furthermore, the Nikkor has a much faster, quieter and assured AF even in low light situations.Although this is not a super zoom, this lens is quite heavy, and it balances quite well with a bigger camera such as a D300S. IMO, the only real weakness of this Nikkor lens is the lack of a VR function. For some, this may not be a necessity, but for me, weighing at about 1.5kg (3 Ibs) when use with a D300S, it's difficult not to shake when you hold it up against your face. Nonetheless, due to the larger aperture, I can handhold and shoot very sharp images at 1/30 sec (at 55mm) even though I don't have the steadiest hands . Imagine being able to shoot 2 to 4 more stops if a VR function is added, I can probably handhold at 1/13 sec without much problem.If $$$ is not an issue to you, and you don't mind the heavier weight, I suggest you seriously consider getting this one. The $800 difference (when compared to a Tamorn 17-50mm f2.8 VC) may seem be big now, but this is one lens that would last you a long time, and Nikkor's resale value tends to hold very well even after many year of use.I decided to keep the Nikkor, and passed the Tamron to my wife who prefers the lighter weight over Nikkor's superior IQ, faster AF, weather seal with her Nikon D90.
    Thank you for your feedback
    Sorry, there was an error
    Sorry we couldn't load the review

    Top reviews from the United States

    Reviewed in the United States on April 8, 2008
    The lenses I've owned in similar ranges are the Nikon 18-70mm f/3.5-4.5 and the Tamron 17-50mm f/2.8. Comparing this lens to the 18-70mm is probably a bit unfair, so I won't mention it again. However, there are many people looking for alternatives and the Tamron 17-50mm is as close as it gets so I'll base this review as a comparison to the Tamron. Having owned the Tamron for a few weeks before offing it, I can tell you this. If you're looking for a lens that equally matches or even exceeds the 17-55mm in terms of image quality, then by all means, go for the Tamron. Equality pretty much ends there.

    The advantages of the Nikon 17-55mm are the following:
    BUILD QUALITY - You immediately notice the build quality as soon as you handle and inspect the 17-55mm. It's encased in metal and nicely sealed so dust, moisture (which leads to fungus) will hopefully be minimized. "Built like a tank" is a good cliche.
    FAST FOCUS - The Silent Wave Motor is not only fast, but extremely quiet.
    SHARP WIDE OPEN - Using an aperture of f/2.8, this lens is very usable. Another advantage is that is focuses more accurately in low light. This is an aspect that was inferior in the Tamron.
    COLOR RENDITION - I've found colors out of the lens are very satisfying with little need to "tweak" during post processing. The Tamron had a warmer color, but this may vary among copies.
    MINIMAL CA - CA didn't bother me much in the Tamron, but it's much more controlled on the 17-55mm, especially wide open.
    BETTER QUALITY CONTROL - This was the deal breaker with the Tamron. I received a copy that overexposed which is in line with the experiences of many people with that particular lens. Although sample variance exists with Nikon, it's much more controlled.
    SIZE/WEIGHT/BALANCE - Some people mention this lens is too bulky and heavy. I find the size and weight actually helpful and helps balance and control on the majority of camera bodies.

    The 17-55mm doesn't have any major flaws for me. I'm not a professional nor am I a pixel peeper. I'm just an enthusiast that likes good image quality. However, if I were to knit pick, here are the flaws:
    SMALL ZOOM RING - It's annoyingly small at first, but you get used to it.
    FLARES EASILY - Point it at a light source directly or even indirectly and this lens has a propensity to flare. You can certainly use the massive hood to mitigate flare.
    DISTORTION AT WIDE END - Some say the distortion at the wide end makes this lens unusable for landscape/architecture work. If you're looking for a lens specifically for that task, you may want to consider a true wide angle lens like the 12-24mm or 14-24mm or go Sigma 10-20mm. However, I find this lens quite usable at the wide end.

    One peculiarity with the 17-55mm is that it's at its shortest length almost fully zoomed at around 45mm and longest and fully extended at 17mm. I found this amusing since I haven't experienced other lenses with this characteristic.

    In my research, I also considered the new Nikon 24-70mm f/2.8. This lens should definitely be on your list because it offers the latest technology and it's a full frame (FX) lens. I ruled it out because it's not only $500 more than the 17-55mm, but also because it's not wide enough for my purposes. Also, I happen to be under the opinion that DX has at least a few more years before it becomes obsoleted/deprecated by FX. People are beginning to recommend against investing in DX lenses, but IMHO, affordable full frame bodies are years away.

    Ultimately, I selected the Nikkor 17-55mm over the Tamron 17-50mm because of its superior usability wide open. The hit on my pocketbook was rather significant, but I have no regrets of getting such a excellent lens with a great usable range. If Nikon ever added VR to this lens, then it would be a dream come true. I state this because I often need to use a shutter speed of 1/30 or slower when shooting in low light and I rarely use a tripod. VR would come in extremely handy in this situation to prevent camera shake.

    I highly recommend this lens. It's on my camera 9 times out of 10. Okay, I'll stop now.
    54 people found this helpful
    Report
    Reviewed in the United States on February 25, 2012
    This is the first lens I purchased for my Nikon D7000 and I think that it may have skewed my expectations - after using this lens, all of the other Nikon DX lenses seem to pale in comparison.

    The Good:
    -------------------
    Make no mistake about it, this is a pro-grade lens and you will probably get the most out of it on Nikon's only "pro grade" DX camera, the D7000. It will work on just about all of the other camera bodies, however. It's body is made out of metal and its constant f/2.8 means great performance across its range of focal lengths even in dim lighting.

    On a DX camera you're getting 26mm to 83mm and everything in between, so with this one lens you can effectively handle most photographic work. I like this aspect from a business standpoint, because can go to the long end for excellent portraits or the short end for excellent wide-angle shots. This lens effectively replaces a bag of primes and I can confidently say it performs BETTER than the other primes available for DX cameras; it's basically an FX lens downsized to the DX format and quality was not sacrificed.

    Taking pictures with this lens will really unleash the potential of your D7000, but it will have the nasty side effect of making all of your other lenses look bad. I have completed a couple shoots using this lens and the results were night-and-day with other DX options, namely the 35mm f/1.8G (about 53mm on full-frame cameras). In all lighting conditions the results were substantially better with the 17-55mm lens, and considering the focal ranges it covers as well as its quality, the price is justifiable.

    The Bad:
    -------------------
    It's freakin heavy! The 17-55 weighs in just under 2 lbs and that bulk seems to get heavier if you have to carry it around your neck for any extended period of time...though to be honest it's not as bad as I thought it would be - just make sure you get a quality padded camera strap like the one made by OP-TECH.

    It's BIG so it will partially block the AF assist light on the D7000 when you are not using the included hood, and when you do use the hood it blocks the AF assist light almost entirely.

    The big size also interferes with the D7000's built in flash, causing a shadow to appear on the lower half of your shots...if you want to use a flash, you'll need to go with a dedicated unit.

    Expensive in relation to other DX lenses, but then again it's the only DX-specific lens that isn't a hunk of junk.

    Its constant f/2.8 speed makes it versatile enough to be usable in poor lighting, but it's not ideal for "flashless" low light photography.

    Y u no have nano crystal coating!?

    How I use it:
    -------------------
    I love this lens for model shoots and portraits, but it also does well with anything that does not require super zoom or ultra-wide angle. I am a fan of available light and prefer to make the subject work within the scene rather than making a scene for the subject...like a challenge, if you will. The Lumix GH2 camera that I have been using before the D7000 delivered impressive results with its 25mm Leica lens and its 14-140mm Zoom - but the D7000 with the 17-55mm stepped my game up from "hi I'm a freelance picture guy with a camera" to more of a pro-level "take a number and wait your turn" kinda photographer. In other words, the pictures it is capable of taking sell themselves and then some!

    Recommendation:
    -------------------
    If you enjoy taking pictures in the 17-55mm focal length range on a DX camera, this is the best lens you can get for that purpose. The quality you get with this lens is generally better than what you get from the primes of the same focal length. If you're strapped for cash you could consider renting one of these from a local camera shop to get a feel for it, otherwise get it and make sure you have a decent camera too.
    32 people found this helpful
    Report

    Top reviews from other countries

    Translate all reviews to English
    Nicolás
    5.0 out of 5 stars Objetivo
    Reviewed in Spain on April 30, 2024
    Era lo que esperaba
    Biene A.
    5.0 out of 5 stars Teuer, aber gut!
    Reviewed in Germany on March 16, 2021
    Ich verwende gerne an meiner D7500 Objektive mit fester Brennweite, vorzugsweise 24mm, 35mm und 50mm. Dazu noch verschiedene Makro-Objektive.
    Auf Reisen in ferne Länder möchte ich nicht mehrere Objektive mitführen und vor allem nicht ständig wechseln. Da verwendete ich meist ein Objektiv mit variabler Brennweite (Nikkor 16-85, 1:3.5-5.6). Damit war ich halbwegs zufrieden, wenn auch bei diesem Objektiv die Lichtstärke etwas zu wünschen übrig lässt. Besonders bei Freistellen stößt man da schnell auf Grenzen.
    Nach langem Überlegen habe ich mich entschlossen, dass nicht gerade billige 17-55mm Objektiv zu kaufen - und ich habe es nicht bereut. Die Lichtstärke und Auflösung meiner Meinung nach super und ich habe die Flexibilität auf Reisen, welche ich mir erwartet habe.
    Wo viel Licht auch Schatten: Neben dem Preis spürt man auch das Gewicht dieses Objektivs. Da ich aber damit keine langen Bergtouren unternehme, ist das für mich kein Problem. Man hat also was in der Hand ...
    Daß das Objektiv keine Bildstabilisierung hat, finde ich nicht störend. Durch die höhere Lichtstärke bleib ich immer bei Belichtungszeiten, welche verwackelungsfreies, freihändiges Fotografieren erlauben.
    Ich bin damit glücklich!
    3 people found this helpful
    Report
    Client d'Amazon
    5.0 out of 5 stars Impecable
    Reviewed in France on September 25, 2016
    Envoie rapide, bon emballage et matériel à la hauteur de mes attentes.
    Je me suis contentée deux ans de l'objectif du kit (18-55) qui n'est pas trop mal mais j'ai fini par ressentir la différence avec mes autres objectifs. Le problème c'est que généralement c'est ce type de zoom qui est monté de base sur mon appareil, et que, donc, c'est avec lui que je fais la majeur partie de mes photos. Maintenant elles sont enfin à la hauteur des autres....
    make9247
    5.0 out of 5 stars un carro armato
    Reviewed in Italy on September 27, 2016
    ottimo prodotto, superiore alle mie aspettative, mi trovo benissimo, già lo uso da un po di mesi e devo dire che a saperlo prima che era così avrei fatto prima l'acquisto risparmiando tempo e denaro in acquisto di altre ottiche, robusto e di vecchia scuola, praticamente quando lo innesti al corpo macchina non lo togli più... lo consiglio a tutti coloro che cercano una lente affidabile, robusta e PROFESSIONALE AL 100% la migliore in commercio per il formato DX
    2 people found this helpful
    Report
    Charles
    5.0 out of 5 stars it's an excellent lens, and its practicality compensates some slight weaknesses
    Reviewed in the United Kingdom on July 27, 2016
    Given so many reviews for this "old" Nikon 17-55mm F2.8G AF-S DX IF-ED, I thought I should first explain that the one missing star is due to its being slightly inferior compared with a prime lens. Apart from that, it's an excellent lens, and its practicality compensates some slight weaknesses. I bought this lens for my D500. The DX 1.5 factor makes its focal range nearly ideal for travel and street photography. I took it on my trip to Paris last week, bringing only my Nikon 70-200 F4G VR as backup. I took some pics indoor (e.g., the Opera Paris) and outdoor (no need to mention). Until finishing the trip, I didn't touch the 70-200 and all the time this 17-55 was on my D500. The photo quality is totally satisfactory. It gives me peace in mind that when going on a trip I can just bring this 17-55mm with my D500 and I don't have to bring with me different lenses unless it's a trip with certain shooting plan. This is what I mean practicality. Recently, I used this 17-55mm for an indoor social dance event. This was one of my purposes to buy this lens, i.e., I do prefer the constant f2.8 for low light situations. This constant f/2.8 of 17-55mm was one of the main reasons I bought it. In most of the time in this dance event, this 17-55mm worked well for me except a few occasions when I had to switch to my Nikon 35mm f/1.4 (it worked as a standard lens on my DX camera) when the light was too low for some spots. The photo quality from this 17-55mm is very satisfactory. It may be worth mentioning that the first week after purchasing the 17-55mm, I shoot an outdoor portrait. I was so impressed by the sharpness of the subject's eye lashes (used f/4). But later incidentally I used f/13 and the sharpness seems slightly lower. My view is that, no point to complain for its slight weaknesses, but I just need to explore and get to know this lens. A perfect lens does not exist in this world. It is known that Nikon's quality slightly varies sometimes, meaning you may find some slight variance in the aspects of the quality across different copies of the same lens model. We have to know the lens in our hand and make the best out of it.
    Update: It’s been over a year since my earlier post in July 2017. My experience of using this lens has convonced me that I must change my previous 4 star to 5 star for this lens. It’s unfair to compare this zoom lens with a prime lens. Over the past year this lens proved to be really excellent.
    11 people found this helpful
    Report