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Genre | Mystery & Thrillers |
Format | Widescreen, NTSC, Anamorphic, Closed-captioned, DVD, Subtitled, Color |
Contributor | Hugh Millais, Cathryn Harrison, Greg Carson, Marcel Bozzuffi, Rene Auberjonois, John Morley, Barbara Baxley, Vilmos Zsigmond, Robert Altman, Susannah York See more |
Language | English |
Runtime | 1 hour and 41 minutes |
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Product Description
Product Description
"One of the most important American directors of our time" (Life), Oscar(r) nominee* Robert Altman delivers a "fascinating [and] compelling" (Interview) thriller that delivers an "original cinematic jolt" (Playboy)! Susannah York, who won the Best Actress award at the Cannes Film Festival for her role, is "spellbinding" (Filmex) as a woman whose psychological demons are becoming quite real! Suffering from schizophrenia, Cathryn (York) can't seem to shake her hallucinatory apparitions. Unable to bear the torture any longer, she decides there's onlyone way to clear her mind: Kill the people haunting her in her visions. So one by one, she offs herghosts. But are the people she's killing just figments of her imagination or are they real? *Director: Gosford Park (2001), Short Cuts (1993), The Player (1992), Nashville (1975), M*A*S*H (1970); Best Picture: Gosford Park (2001, with Bob Balaban, David Levy), Nashville (1975)
Amazon.com
Effectively a "lost film" soon after its original release, this dreamlike yet razor-sharp movie from the amazing early-'70s arc of Robert Altman's career was among the most mesmerizingly beautiful color films ever made. Where on this planet did Altman and cinematographer Vilmos Zsigmond find such colors, such an awesome fairy-tale landscape? (Ireland, as it happens.) Even more extraordinary was the inside/outside landscape of the heroine's consciousness: this is a movie in which madness is inseparable from imagination. Susannah York gives a brave, supernally freaky performance as a married woman who may be an adulteress, may only be fantasizing about it, may be pregnant, may merely be giving birth to a world. René Auberjonois, Hugh Millais (McCabe and Mrs. Miller's fur-clad assassin), and Marcel Bozzufi play the men in her life, some of whom may be dead, some of whom are going to be. They all exchange names at various times as Cathryn meets herself coming and going, in search of unicorns. --Richard T. Jameson
Product details
- Aspect Ratio : 2.35:1
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 7.5 x 5.5 x 0.5 inches; 3.2 ounces
- Director : Greg Carson, Robert Altman
- Media Format : Widescreen, NTSC, Anamorphic, Closed-captioned, DVD, Subtitled, Color
- Run time : 1 hour and 41 minutes
- Release date : September 16, 2003
- Actors : Susannah York, Rene Auberjonois, Marcel Bozzuffi, Hugh Millais, Cathryn Harrison
- Subtitles: : English, Spanish, French
- Language : English (Dolby Digital 2.0 Mono)
- Studio : MGM (Video & DVD)
- ASIN : B00009Y3NA
- Writers : Robert Altman, Susannah York
- Number of discs : 1
- Best Sellers Rank: #49,737 in Movies & TV (See Top 100 in Movies & TV)
- #2,640 in Mystery & Thrillers (Movies & TV)
- #8,697 in Drama DVDs
- Customer Reviews:
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Top reviews
Top reviews from the United States
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This movie is superb. I'm surprised it does not have vast notoriety; it certainly deserves that. It is extremely weird and dreamy and it is an artistic masterpiece on several levels. It is visually beautiful throughout, and the performances are first-rate. Ms. York is astonishingly convincing. My wife and I had to pause this movie about a half dozen times to catch our breath from the tension. The music and audio effects are the gold-standard for a horror movie (which I believe was composed by John Williams; this movie has major talent from top to bottom).
I enjoyed the movie "Nashville" (another Altman film) and now having watched this I am forever a Robert Altman fan. I'm going to buy or rent all his other films and examine them closely. This guy is obviously a certified genius, and I realize I've been missing out on someone of the magniutude of Stanley Kubrick, my favortie director. In fact, as I was watching this I kept thinking of "The Shining"; the fear, curiosity, and dread I felt during this film were very similar to what I felt during "The Shining." This movie couldn't be more different from "Nashville," which yet again brings to mind Kubrick, whose films were all so different from one another. I love virtuosity in any discipline--and I feel it is best displayed in diversity. These gentlemen definitely show diversity in their works.
I don't want to comment on too many particular events or aspects of this movie because the "unknown" progressions will be important for you. Suffice it to say that if you enjoy horror or thriller films, this will be one of your favorites. I should clarify one issue: is this movie supernatural horror or psychological horror? Some folks prefer one type and shun the other. Answer: both groups will be very pleased, and the distinction is all but moot by the end of this movie where reality is not quite ascertainable throughout.
This is easily in the top ten of my favorites in my voluminous collection. It gets 100 points out of a possible 100. Others in the same league: "The Legend of Hell House" ( w/Roddy McDowell); "The Haunting" (the 1964 B&W original); "Burnt Offerings" (w/ Karen Black); "The Shining"; "The Innocents"; "Death Bed--the Bed That Eats" (really--another obscure gem); "The Changeling" (w/ George C. Scott); "Phantasm".
Whenever I discover such an awesome film as this--which has been around for 35 years!!--it brings to mind the question: what other masterpieces are there out there which I have yet to discover?? The search continues for more ultimate films....
Top reviews from other countries
Robert Altman nous maintient de bout en bout en tension et en plein doute: les visions cauchemardesques de l'héroïne appartiennent-elles ou non à un présent et à un passé qui ont réellement existé? Les trois hommes qui l'entourent à savoir son mari Hugh (René Auberjonois), son amant français décédé René (Marcel Bozzuffi), et son amant présent Marcel (Hugh Millais) existent-ils ou ont-ils vraiment existé?
La bande son sobre et efficace signée John Williams ponctue chaque évolution de la progression du mal qui ronge Cathryn. Les splendides décors naturels irlandais chargés de légendes accentuent l'isolement de cette femme coupée du reste du monde et tranchent avec les décors blancs comme ceux d'un hôpital psychiatrique où se retrouve l'héroïne lorsqu'elle quitte ses cauchemars éveillés pour plonger dans un cauchemar encore plus terrible: celui de la réalité de son état psychique.
Un grand film qui va bien au-delà des habituels thrillers psychologiques.
Altmans Regie schafft eine unheimliche Atmosphäre, doch die Handlung verliert sich gelegentlich in ihrer eigenen Komplexität. Visuell ist der Film ansprechend, mit beeindruckenden irischen Landschaften, aber die narrative Struktur kann zuweilen irritieren. Insgesamt ist "Spiegelbilder" für Fans von Altman oder psychologischen Thrillern sehenswert, könnte aber für ein breiteres Publikum herausfordernd sein.
Any other experience of this?
What is correct setting for English?
Thank you